The video co-stars Christina Evans as well – check out her photos below!

This is innovation at its finest! You can find “Come N Get It” and more crazy original remixes on Travis Barker and DJ Whoo Kid‘s new mixtape project Let the Drummer Get Wicked – click HERE to download now!!

Enjoy!

CLICK HERE to watch DJ Whoo Kid‘s exclusive one-on-one interview with Travis Barker!

Feel free to grab the video embed code (click menu on the player) and share our link with your friends and blog readers!

RadioPlanet.tv 2011 ”“ All Rights Reserved

Find out how to market your brand with DJ Whoo Kid by CLICKING HERE!

Check out the exclusive RadioPlanet.tv behind-the-scenes video of The Clipse and Travis Barker live in the studio, as DanTheMan and the KRSP team film with an Xbox Kinect! Meanwhile, Whoo Kid spotlights some other very important things like flashy drums and women… Pow!

Let the Drummer Get Wicked debuts exclusively on RadioPlanet.tv on February 21 with the video and full track list! Stay tuned!

DJ Whoo Kid and Travis Barker Get Wicked with Kinect!
Let the Drummer Get Wicked Debuts February 21 on RadioPlanet.tv
Exclusive Video with The Clipse Shot with Xbox Kinect
Mixtape Warm-Up for Barker’s Self-Produced Give the Drummer Some, March 15

New York, NY — In the past decade, DJ Whoo Kid has created a name for himself as one of the most respected mixtape DJ’s in history. In keeping with his notoriety for unleashing powerful celebrity classics, Whoo Kid has teamed with rock percussion phenom Travis Barker for Let the Drummer Get Wicked, which will debut February 21, 2011 exclusively on RadioPlanet.tv.

The fully collaborative Let the Drummer Get Wicked mixtape features over 17 tracks, four produced by Travis Barker himself, along with The Haitian Super Heros, Havoc, Pharrell and Dr. Dre, to name a few. Travis Barker and Whoo Kid re-energize new-era classics made famous by the likes of J.Cole, Wiz Khalifa, Pusha T, Lupe Fiasco, Big Sean, Tech N9ne and more with their own flare on the remixes.

Over the Grammy 2011 weekend in L.A., Whoo Kid, KRSP and visionary DanTheMan produced and directed a crazy videogame/tech collaborative video for The Clipse “Come N Get It” produced by Pharrell and Travis Barker, shot using an Xbox Kinect! The video will debut on February along with the Let the Drummer Get Wicked mixtape.

When DJ Whoo Kid launched RadioPlanet.tv in March 2009, he envisioned a place where A-List Hollywood celebrities and Hip Hop superstars could comingle their talents with edgy humor and musical tenacity. As Whoo Kid heard more of the Blink 182 rocker’s percussion-heavy remixes over tracks like Snoop Dogg’s “I Wanna Rock” and Drake’s “Forever” remix, the forward-thinking DJ came up with the notion to collab with Barker on Let the Drummer Get Wicked.

Barker and Whoo Kid kicked things off in late 2010 with a taste of Kanye West’s artist Big Sean on “Big Nut Bust,” which debuted on Whoo Kid’s Sirius/XM Shade 45 show. The song spread like wildfire through the most popular urban and pop blogs around, and led to the Tech N9ne banger “Hard Liquor” over a Dr. Dre track. Eventually Travis Barker’s fans pushed him via twitter to call Whoo Kid to leak “Hard Liquor” immediately, which fueled the fire for Tech N9ne’s Bad Season mixtape.

“I wanted to keep the records on Let the Drummer Get Wicked original,” Whoo Kid says of the concept. “I reached out to the artists to get all new joints from them, and worked with Travis from there to do an exclusive mixtape for the artists’ respective fan bases.”

On February 16, Whoo Kid will unveil a behind-the-scenes peek at the work Travis and he did in the studio and at the video location with KRSP, DanTheMan and their unique Xbox Kinect shoot. On February 19, the ‘Travis Barker Mixtape Special‘ will air on Sirius/XM Shade 45 from 12:00 pm to 5:00pm EST, and fans will be treated to some brand new tracks from Let the Drummer Get Wicked, and hear Barker’s personal take on the project.

For more information on DJ Whoo Kid, go to http://RadioPlanet.tv and follow him on Twitter http://Twitter.com/DJWhooKid

For more information on Travis Barker, go to http://TravisBarker.com and follow him on Twitter http://Twitter.com/TravisBarker

For information on doing your own project with Whoo Kid, CLICK HERE.

Video is the property of RadioPlanet.tv and Shadyville, Inc. All rights reserved.

Video property of Shadyville Inc. and RadioPlanet.tv, All Rights Reserved

Check out KRSP Clothing at KRSPLife.com!

Above is the exclusive RadioPlanet.tv QuikVid from Nipsey Hussle, directed by DanTheMan, produced by DJ Whoo Kid and DanTheMan! The track is “The Hussle” produced by Cookin’ Soul.

Video property of RadioPlanet.tv and Shadyville, Inc. All Rights Reserved

CLICK HERE TO DOWNLOAD!

Shouts to XXLMag.com!

Shouts to OnSmash!

]]> http://www.radioplanet.tv/juelz-santana-i-wanna-rock-quikvid/feed/ 1 http://www.radioplanet.tv/rock-rap-krsp-game-rebellion-blind/ http://www.radioplanet.tv/rock-rap-krsp-game-rebellion-blind/#comments Mon, 25 Jan 2010 20:28:47 +0000 Dove http://www.radioplanet.tv/?p=8780 Game Rebellion is a Brooklyn-based band that fuses Rock, Hip Hop, Punk and Metal into some of the most exciting music we’ve heard in years! Last week they met up with DrJays.com and DJPremium.com, and DJ Whoo Kid happened to come through to catch them rocking some new KRSP gear! Check out the band’s new video above for “Blind” directed by BB Gun, and the photo below from DanTheMan!

If you’re in NYC on Wednesday night, January 27, come through DrJays.com and DJPremium.com Shop4Haiti event at La Pomme (37 W 26th St) from 6-10pm! They’ll have gear on sale from Rocawear, LRG, Apple Bottoms, Flud Watches, Fila, 8732, KRSP and more! All proceeds are going to UNICEF to help the earthquake victims in Haiti!

Also be sure to check out Game Rebellion‘s show at Le Poisson Rouge in NYC on Thursday night, January 28!

For more information on Hope4Haiti go to DrJays.com and DJPremium.com and on Twitter @drjays_com

For more information on KRSP go to KRSPLife.com and on Twitter @KRSPclothing

For more information on Game Rebellion go to GameRebellion.com and on Twitter @Game_Rebellion

And of course, follow DJ Whoo Kid on Twitter @DJWhooKid and @RadioPlanet

CLICK HERE to check out the amazing sales for your holiday shopping at KRSPLife.com!

Check out the amazing scenery, hot ladies and crazy antics in this HD RadioPlanet.tv exclusive!

Check out the video above for a piece of the action with real Bboys, pretty ladies and a lot of 50 Cent fans!!

CLICK HERE for DJ Whoo Kid in Monaco!

CLICK HERE for DJ Whoo Kid in Milan!

CLICK HERE to check out the Milan KRSP Euro-Tour video!

To book Whoo Kid for your next event, email RPTbooking@gmail.com

Whoo Kid will be back in November with new HD videos of his Asian exploits! The KRSP Euro-Tour promo is a quick example of what you’ll be seeing… and today we will unleash the crazy video from Milan, Italy! Stay tuned!!

KRSP Asia Tour:

10/24 – Bankok, Thailand @ 808 RCA Club
10/29 – Hyderabad, India @ Bottles & Chimney
10/30 – Mumbai, India @ Puro / Sin City
10/31 – Shanghai, China @ Muse

Watch as Whoo Kid pits his dance prowess against Crazy Legs and Step Up 2 The Streets star Mari Koda.  Witness the [literally] groundbreaking acrobatics and showmanship! Watch what the “overly underqualified” judges (including DJ Mandog and SRC/Universal artist Kaze) were all too scared to talk about until now!

After the battle, Crazy Legs gives Whoo Kid some insight on over three decades of Hip Hop dance. Did Legs really battle Turbo from Breakin’? Will we ever catch him doing the Stanky Leg?  How did B-boys go from stick-up kids to dancing? And what exactly did he find in Whoo Kid’s wallet?

Find out these answers and more in this RadioPlanet.tv exclusive, directed by noneother than DanTheMan!

Thank you to Ari at 320 Studios! 320StudiosNYC.com

CLICK HERE for the full Rock Steady Crew Anniversary Schedule on CrazyLegsWorkshop.com, with workshops, the Frienemies and Crew battles, and a FREE live concert and canned food drive featuring Biz Markie, Cormega, Grand Puba, Roxanne Shante, U-God, DJ Premier, Bishop Lamont, Masta Ace & Edo. G, Tanya Morgan, Kaze, Dujeous, Tanya Morgan and many more!

By: Dove ~Sheepish Lordess of Chaos~

Last week the two met up at 320 Studios in NYC for a knockdown, dragout battle! Bgirl Mari Koda (Step Up 2: The Streets) got in on the action too!

This promo video offers a brief glimpse of a dance rivalry that will go down in history… somewhere.  Full battle coming soon!

By: Dove ~Sheepish Lordess of Chaos~

Who did Hammer really have beef with, and who was worthy of addressing? Why is MC Serch still talking about him after all these years?  Did he really diss Run DMC? How did he feel about being called a sell-out? Why did he bring Vanilla Ice back to appear on Hammertime? Find out these answers and more in the video above! Directed by DanTheMan, with priceless clips!

By: Dove ~Sheepish Lordess of Chaos~

How does Shaq feel about Dwight Howard donning the “Superman” title? Is Shaq really on Twitter like that? Why does he like D-Block so much? And of course, the question still remains, can Whoo Kid a.k.a. The Haitian Jordan get his chain back?? Watch and find out in this RadioPlanet.tv exclusive!! Directed by DanTheMan (with super Flash power on the edits!)

We also spoke with Soulja Boy about his upcoming Gangsta Grillz mixtape, why he put out the word for Jay-Z and Kanye West to get at him for his next album, and what some dedicated fans have done to get his attention.

Interview by Dove ~Sheepish Lordess of Chaos~

RadioPlanet.tv: Tell us a little bit about the “I Got MoJo” video shoot.

Soulja Boy: The song is off off of my upcoming Gangsta Grillz mixtape with DJ Drama, I shot it with DJ Whoo Kid riding through NYC in a Lamborghini, right after I finished doing 106 & Park. It’s all about the swag, it’s all about 2009, it’s all about the movement, it’s all about Soulja Boy in 2009. Shout out to DJ Whoo Kid.

RPT: You’ve said that in the beginning of your career you made a lot of fun dance songs because that’s how you felt, but that next time your music will be more representative of you. What do you feel will be different than what we’ve seen thus far?

Soulja Boy: Going into this third album, it’s all about me. This is gonna be my realest album, my biggest and best album to me. How the public will feel about it, I don’t know. You might have a lot of people that love the dance songs, but I feel that this is gonna be my biggest and best album because it’s the realest album that I’ve put out so far.

RPT: How do you deal with haters and the media saying things about you that you might not like?

Soulja Boy: I just live life and stay positive, I believe in hard work and dedication. I believe in dreams, having goals and accomplishing them. I made my first million dollars when I was 16-years-old, can’t nobody tell me nothing. I live my life how I want to live my life, I take care of my family, my little brother and sister and a lot of people. A lot of people depend on me, I’m not the type of person to depend on people. I never liked to depend on another person, I always liked to do for myself.

So when people that I don’t even know or that I never met in my life that have opinions on me”¦you can dislike a person’s music but if you have opinions on me as a person and it goes beyond music, I really don’t believe or pay attention to any of those things. I do believe in constructive criticism and taking other people’s advice on improving my lyrics and things of that nature, but when it comes to talking about me as a person, I don’t believe in listening to stuff like that. But I always stay grinding, dedicated and humble.

RPT: Do you feel like you’ve had to grow up fast over the last couple of years with your business?

Soulja Boy: I’ve always been the type of person to be hands on with my business and my money, and I always want to be the type of person to learn more about everything that I do. I want to learn my craft and business, and I feel as if I got to the point where I got it down to a science with the way I market myself through the internet, and the buzz that I create around myself and my career, and building my Soulja Boy Tell ‘Em brand up to where it is now. Any venture I do or hobbies that I have – whether it be fashion and sneakers or video games – whatever I do, I like to learn, pay attention to other people and perfect my craft.

RPT: You recently announced that you’re reaching out to Kanye West, Lil’ Wayne, Jay-Z and others to work with you on your next project. How important do you feel it is for rappers of their stature to come back and work with artists like yourself who are growing and learning?

Soulja Boy: I feel as if you’re a real musician or a real person, you’ll take the time out to work with me. I’ve met a lot of different people since I’ve been in the entertainment industry, and I’ve had conversations with T.I., 50 Cent and Usher, people that have been in the game way longer than I have. I’ve come across people that act like they don’t want to be a part of working with me or whatever, then I met real artists that’s down to earth like myself that don’t really got a big head and will keep it 100 with you.

Those are the type of people I look forward to working with. If I reach out to a person and they act like they’re better than me or something like that, I don’t take it personal, because each person is different and everybody’s not gonna keep it real and want to work with you. That’s just life.

RPT: Do you ever feel that some of these [more established] people might be intimidated by you? You’ve set the music industry on end at a time where others are struggling.

Soulja Boy: In the past I’ve reached out to artists to work with me on something I felt could be really big, and now that artist is in a position where they really need me now. I took an artist like Sammie who hasn’t been around for years, and now we got the Number One record in the country for 10 weeks straight [“Kiss Me Thru the Phone”].

I’m just glad I work with real artists – it don’t matter how big your buzz is. When I went to Sammie, he wasn’t as hot as Chris Brown or T-Pain, but we made it happen with hard work and determination and we went to Number One. I like to work with real people and real artists.

RPT: What is the craziest thing a girl has done to get your attention?

Soulja Boy: When I was on tour I’d have girls show up to my concerts and be hiding out in my tour bus and dressing room, I’d have girls follow me from one state to the next, following my tour bus for four or five cities straight. That’s why I always thank the fans, me being the type of artist that I am I try to give back as much as I can, because it’s a lot of girls that actually think I’m their boyfriend that are in love with me. I understand that so I try to keep them happy.

RPT: Who are some of the key people that have been there throughout your career that you’ll be working with on your new album?

Soulja Boy: Of course I will be working with Jim Jonsin once again, he did “Lollipop” for Lil’ Wayne, “Whatever You Like” for T.I. and “Kiss Me Thru The Phone.” I look forward to working with Polow Da Don again, he did “Yamaha Mama” featuring Sean Kingston on my second album”¦ but I don’t like to work by name, I like to work by ear.

I know a million producers that are no-names, but they got hot beats. I will be going back in the lab to produce beats on this album, I really haven’t produced since my second album, but I’m looking forward to doing a 50/50 split beat with Kanye West. I think that’ll be hot because he’s a great lyricist, but an awesome producer as well. I feel like I’m an awesome producer too, and both of us in the studio together at the same time can come out with a smash.

RPT: When can we expect the new album?

Soulja Boy: We’re looking at late September/early October.

RPT: What is your summer looking like?

Soulja Boy: I’m putting together the Swag On Tour. They want me to do the Scream Tour, but I don’t know yet. I’m on the road 24/7, so my schedule is booked until July but I’m all about running around and grinding hard. Recently I just did the XXL magazine cover, the DUB magazine cover, the Ozone magazine cover, Right On! magazine, Jimmy Fallon and Jay Leno‘s shows, Good Day New York, Good Day L.A., 106 & Park, I’ve been nominated for a BET Award, and I’m performing at the BET Awards as well.

RPT: Do you ever worry about overexposure?

Soulja Boy: At one point in my life I did believe that I was putting too much of my life out on the internet and in the public eye, period. I felt like I had to slow down on that bit, so I cooled down for a while. I used to tape everything I did and put it on the internet, but I cooled down.

RPT: What’s the number one thing you want people to know about Soulja Boy right now?

Soulja Boy: I am here to spread the message that any dream and goal that you have can come true and be accomplished. I’m walking proof that I had a dream to become a famous rapper, and I made it happen with hard work and determination. I know I’m probably one out of a million, and stories like mine probably don’t happen very often. It’s very rare for a person like me to do this, but I want everybody to know it’s not impossible to do what they want to do with their life.

Cameos from Jamie Foxx (host of the 2009 BET Awards airing on June 28), Ryan Leslie, Keri Hilson, The Dream, Terrence J, Rocsi and more! Check back for the “I Got MoJo” video debut and Soulja Boy interview next week! 

 

Interview by Dove ~Sheepish Lordess of  Chaos~

RadioPlanet.tv: Today we’re premiering “They Hate” on RadioPlanet.tv, and in the video you’re looking at various blogs with people talking negatively about you. How does it make you feel to log on the internet every day and see that?

Tony Yayo: It doesn’t bother me, my skin is made out of rubber. You see a lot of people do blogs and they’re just hating in general. It could be anybody, Floyd Mayweather, Ricky Hatton or Magic Johnson. You could put something positive on the internet and people will say “First” and things that are irrelevant to the blog… why even waste your time? I’m gonna waste my time to hate on somebody, that’s where the concept for “They Hate” came from, and you know n*ggas hate the Unit. Everybody hates G-Unit but we not mad, we making our money and doing what we gotta do. But a lot of people in the industry are hating.

RPT: How do you feel about people who have gone online and tried to impersonate you?

Tony Yayo: To me that’s the same thing, I’ve had people who have hit me up and say, “Somebody has a Tony Yayo page.” That’s a form of hate too, because what are you doing? You’re gonna make a fake page and put some stupid sh*t up there or something that’s irrelevant to make me look silly. I think that’s a form of hate too.

RPT: Have you ever felt like some of the beefs throughout your career have been blown out of proportion by fans or the media?

Tony Yayo: The smacking of Jimmy Henchman‘s son, I didn’t do it, but he lied and said I did, so the media’s just gonna run with that. The Daily News slayed me, [Jimmy Henchman is] Game‘s manager, I didn’t smack the kid and they’ve been praying for our downfall since we had the fallout with Game. The Daily News went too far with that one, I have three kids, so that’s one thing that really bothered me.

But I’m used to it, I’m down with G-Unit, nobody likes 50 Cent so nobody likes me. When I’m in a shelter in the Bronx taking care of some kids, getting them food from McDonald’s and buying them stuff for their class, that’s never in the newspaper, or something that somebody wants to talk about. But as soon as somebody gets smacked or shot, that’s something everybody wants to talk about. They’d rather have the negative than the positive, and with that whole situation I was exonerated on the charge, but I went through a whole bunch of bullsh*t where people thought I actually smack little kids.

If you say something enough times, people will believe it, even if it’s not true. The media is your judge and jury, people started saying G-Unit fell off when the media was running with that and publicizing “Gangsta rap is dead” and people read into all of that and feed into it. The media controls a whole bunch of sh*t, they make and break you.

RPT: As far as technology and promotion is concerned, do you feel like this new generation of rappers has a leg up on what G-Unit has been able to do in the past? Do you feel you’ve had to struggle to keep up with it?

Tony Yayo: I feel like it’s a gift and a curse, because records are not selling, period. A perfect example is Soulja Boy, he has two hit records from this new album that’s been out since November, and he’s only pushing two [hundred thousand] and change. I wouldn’t say the artists aren’t doing good right now, I just feel like we went from ADAT to tape to CD to iPod. A couple of years ago when G-Unit came out, to me it was more special.

The internet is a gift and a curse. To me, when an exclusive comes out and a certain DJ has it and all the DJs don’t have it, it’s a bigger record. But now it’s like once you drop a record, that sh*t is in everybody’s iPod by the next half an hour. But if you remember a couple of years ago, a point where a dude would drop a mixtape and Jay-Z, Big L or Big Pun was on it, you was excited to go to Jamaica Ave. and pick up the CD. That’s the kind of person I always was, so to me the game is less exciting from what I’ve seen being home for six years.

RPT: How was it coming home to new technologies, and how fast have things changed for you over the past six years?

Tony Yayo: When I came home in 2003 or 2004 they had the camera phone. But I’ve been home for a while, so I’m accustomed to everything. Me, Whoo Kid and G-Unit are able to change no matter what because we map the game. We went to viral so fast with ThisIs50.com, we caught it early and then you saw everybody follow 50′s lead.

We’re up on sh*t earlier, like how we took advantage of the mixtapes, I think every artist that’s making mixtapes right now is really looking at the G-Unit pattern. Mixtapes were relevant, but the way we did it, we wanted something new. We got deals off of the mixtapes, went on a mixtape tour. Now I’m putting the mixtapes out virally. I don’t really care if they even touch the streets, because more people log onto the internet than buy copies in the street. I think you just gotta learn how to change with the times, and LL Cool J is the best man for that job. This guy has been around since he was 15 or 16 in 1985, and his last album was last year. It’s all about changing with the times with the viral stuff that’s going on.

Companies aren’t really generating money off of artists anymore, Rick Ross isn’t going Gold. How much money did Def Jam spent on him? You’ve seen all of his blogs dissing G-Unit, he was going all around the U.S. How much money you think that bus was costing, and the hotels and the n*ggas he had with him?

To me, I look at the business like a lot of n*ggas aint even worth it, you might as well go independent and do your thing. You gotta understand, me and Banks never had 360 deals, the deals 50 gave us on Interscope we weren’t giving up half of a clothing line or anything. A lot of labels are doing 360 deals now because they want to get money all over the board, being that records aint selling, so they want to figure out other ways to get money from an artist. Me, I’d rather go independent and make all of the money for myself instead of get raped by a label that don’t really care about you.

One thing I learned about the industry is that there’s no friends in this s**t. Like I told Whoo Kid, I have the same lawyer that Triple C’s [Carol City Cartel/Rick Ross] has and I looked at [my lawyer] as a friend and I was misconstrued. I thought he was my friend and I went to trusting him, but no he’s not my friend, it’s just a business partnership. I don’t even let myself get upset because I know that these n*ggas in the industry is b*tch a** n*ggas. I understand how Tupac and Biggie got killed, because the motherf*ckers that was around them gave up the itinerary, that’s how them n*ggas got killed. It wasn’t no other way, somebody around them gave up the itinerary to let them know where n*ggas was gonna be at, and that’s how the game is.

I look at the game totally different. When I came home I was excited, million dollar crib, cars and everything. Now I look at the game different and for what it is, these n*ggas aint friends. How can my lawyer want to represent somebody that wants to ruin my brand? If you’re there to help me, why are you helping somebody that wants to ruin my brand? That’s just how the game goes.

RPT: Have there been any recent beefs that you feel were overdone?

Tony Yayo: I think the “Gay Unit” cartoons and the homo sh*t that Rick Ross was saying was a little carried away. A lot of internet sites get promotion because of G-Unit. You could hate us but if a n***a is talking about Tony Yayo, Lloyd Banks and 50, the hater wants to see what the other hater is saying about us. We’re bringing traffic to your website, and the whole internet s**t with Rick Ross is a ploy for promotion. Rick Ross never had that much promotion ever in his life, and he still didn’t do no numbers because people knew he was a cop. It’s not my fault you was a cop. Then later on down the line you sat on Big Boy‘s show and admitted that was you in the picture.

I don’t give a f*ck if he was number one in the country because it’s not showing in his record sales. I feel like on the internet some places advocate G-Unit hate, you gotta understand a lot of these people used to work for magazines and certain people just don’t like the Unit. A lot of people just like to hate, and it’s a disease. I’m not a hater, it’s just that a lot of my drama came from all of the drama that 50 had. A lot of sh*t trickled down on me because I’m so close with 50 that I wound up with his problems, but I don’t mind though because I know n*ggas don’t like me anyway. It comes with the territory.

RPT: What do you have coming next?

Tony Yayo: I’m working on adult films. I [directed] my first adult film last year, and I’m working on my website, since everybody got a regular website I decided to have one for my adult films. I’m working on my music and my mixtape The Swine Flu has caused a lot of interest in Florida even though it’s not out, because a lot of people are interested in what I’m gonna say after Rick Ross and Khaled said n*ggas ‘can’t come to Miami’.

I learned a lot of lessons in the industry – I’m grown now and I know a lot. There’s not too many friends in here, it’s a crazy business. I heard Hoopz say that online the other day, she does her sex tape with her boyfriend and he’s blackmailing her, she does the second show and becomes a bigger star, and he puts the teaser out trying to get money. It’s a wicked business. My whole motto is trust no one.

RPT: I think this Radio Planet “They Hate” video is going to do well for you.

Tony Yayo: It’s a lot of hate on the internet, it’s so bad that I put the video out, and if they hate I’m not even gonna read the comments. That’s how bad it is for me, because you’ll read them comments and it’ll ruin your f*cking day. I don’t have time to read somebody’s comments that’s behind a desk that got a problem with me and I don’t even know them. Truthfully, I really don’t even care. I’m about to start having fun with music again, because when you start being pressured to make a hit record and be a certain way in the industry you start falling off from who you are.